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According to Pecorini, the films trippy visual aesthetic was inspired by Robert Yarbers paintings, which are, very hallucinatory: the paintings use all kinds of neon colors, and the light sources dont necessarily make sense. Gilliam expounds on this decision, adding that they used the Yarber paintings, While mixing our palette of deeply disturbing fluorescent colors. To achieve the saturated look of the hypnotic neon colors the final film has, Gilliam initially wanted to use a wide-angle anamorphic lens

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Anatomy of a Rolling Paper ALTHOUGH ROGEN TALKS ABOUT DESTIGMATIZATION, its not what led the seemingly carefree chucklehead stoner deep into the nitty-gritty science of the rolling-paper industry

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