![A Bird, Blast #130 | Naoya Hatakeyama | Roshin books 2025 [SIGNED] Jonathan Leder “is a physical sensation](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN6043cover_Grande_337de454-2cc4-43b8-b814-34aeee7ecf21.jpg?v=1770325320)
![A Bird, Blast #130 | Naoya Hatakeyama | Roshin books 2025 [SIGNED] Jonathan Leder “is a physical sensation](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN6043_Grande_2a6cb5f1-fa35-4c4e-bca7-bd7683fecb95.jpg?v=1770325319)
![A Bird, Blast #130 | Naoya Hatakeyama | Roshin books 2025 [SIGNED] Jonathan Leder “is a physical sensation](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN6044_Grande_b9bf0cc1-f5a0-4c9a-80da-393c7b3f375a.jpg?v=1770325319)
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“is a physical sensation
written first in katakana
This copy is an signed artist proof (A
adults and children worked together to create a cold
This is the "portfolio" version of Galphy series books
A Bird, Blast #130 | Naoya Hatakeyama | Roshin books 2025 [SIGNED] Jonathan Leder “is a physical sensationThis book is the new edition of A BIRD BLAST #130, originally published by Taka Ishii Gallery in 2006. "The BLAST series, which captures the moment of blasting in a limestone quarry, was photographed remotely in hazardous sites inaccessible to humans. It stands as one of Naoya Hatakeyamas most celebrated bodies of work, acclaimed worldwide for its profound depiction of destruction and creation. Among the many blasts he photographed, one roll of
